This is the second part of the interview with Ono Fuyumi from Da Vinci‘s December 2010 issue. Ono discusses the rules and restrictions she encountered at the time of writing the original Ghost Hunt series. Please go to part one “The Ghost Hunt Series Reprint” to read the interview from the beginning.
This interview with Ono Fuyumi is part of the Ghost Hunt Reprint Commemoration Special Feature. It was printed in the December 2010 issue of the Da Vinci magazine. The interview also includes some photographs of the author herself and her house. I divided the translation up into three parts. In the first part Ono talks about the reasons for the Ghost Hunt series reprint, and the origin of original series.
Ono Fuyumi Long Interview
Timeless edition! The Ghost Hunt series Reprint Commemoration
The reprint of the Ghost Hunt series, long-awaited for by many fans, is about to turn into reality at last. Why did author Ono Fuyumi-san make up her mind about the reprint of the series just now? What are the differences between the old edition and the rewrite? This is a long interview in which we courageously asked about her memories at the time of the series’ creation, and her feelings on putting out the reprint. A large number of valuable remarks are revealed for the first time: a timeless edition!
I was confident that scary things are fun.
In this interview Director Michael Dudok de Wit talks about the use of the waterworld, water and aquatic creatures in his film The Red Turtle and his other works. De Correspondent originally conducted this interview and published it on their website on July 21, 2016. If you can read Dutch, please click here to read the interview in its original language.
Michael Dudok de Wit labored ten years on his new, widely praised animation film about a man who washes up on an inhabited island. Water and aquatic animals are recurring themes in his works. Where does his fascination come from?
Interview: The Endlessly Fascinating Waterworld of the Man Behind the Red Turtle
His short animation The Monk and the Fish was nominated for an Oscar. His short animation Father and Daughter won an Oscar. But Father and Daughter also won – actually a much greater honor – the admiration of the legendary Japanese animation company Studio Ghibli. ‘Can’t you make a long film for us,’ they mailed in 20061)Studio Ghibli did not work previously with a non-Japanese animator, but still pulled out – together with French film distributor Wild Bunch ...continue. The Red Turtle was born.
Notes [ + ]
|1.||↑||Studio Ghibli did not work previously with a non-Japanese animator, but still pulled out – together with French film distributor Wild Bunch – millions of euros to let Dudok de Wit – together with dozens of animators – work in complete freedom on his dreamed of first long animation.|
The following table from the December 2010 issue of Da Vinci captures the chronology of the Ghost Hunt series and some real life events. I have translated this along with a short introduction which accompanied the chronological table.
Ghost Hunt Chronicle: Closing in on the Charms of the Series!
Since the publication of the series’ first volume Are there really lots of Evil Spirits!?, Ono Fuyumi’s horror masterpiece the Ghost Hunt series continued to captivate readers over a span of 20 years. First of all, let’s look back once again at its history along with the related chronology. The reason why the Ghost Hunt series is eternally loved across generations, should come to the surface from there.
The Red Turtle received the nomination for Animated Feature Film for Oscars 2017 and recently won an Annie Award. With the 89th Academy Awards coming up next week, I decided to translate another interview with director Michael Dudok de Wit, with another one coming up later on. In this interview Dudok de Wit talks about the theme of acceptance in the film. It’s a rather personal interview, which touches upon his childhood, among other things.
De Lagarde originally conducted this interview and published it on their website on July 7, 2016. If you can read Dutch, please click here to read the interview in its original language.
Interview: Michael Dudok de Wit (The Red Turtle)
‘In elementary school, my teacher called me Karel Appel1)Karel Appel (1921-2006) Dutch painter, sculptor, and poet., because I always drew. My three brothers did the same as well, but perhaps a little less obsessive. I could immerse myself in it, forgot everything around me, including what was being said and taught. I wasn’t very good at school. Fortunately, my parents weren’t too upset about it. My mother herself was artistic. I still remember – I must have been very young then – that she once made a drawing of one of our bantams2)A small variety of poultry, especially chickens.. I can still see it before me, so beautiful and detailed. She was an artist at heart. But she chose to be a good spouse and mother. It had been very nice for me, but there’s no doubt that she must have struggled with that choice sometimes.‘
Notes [ + ]
|1.||↑||Karel Appel (1921-2006) Dutch painter, sculptor, and poet.|
|2.||↑||A small variety of poultry, especially chickens.|